The Brothers Bloom

2008

Adventure / Comedy

The Brothers Bloom (2008) download
3
IMDb Rating 6.8

Synopsis


Downloaded 32084 times
11/19/2012 12:12:27 AM

Director

Rian Johnson

Cast

Rinko Kikuchi

Rachel Weisz

Adrien Brody

Mark Ruffalo

1080p 720p
1.70G
1920*800
PG-13
English
23.976 /
114 min
P/S 1 / 15
750.27M
1280*528
PG-13
English
23.976 /
114 min
P/S 0 / 2

Movie Reviews

Reviewed by Andrew DiMonte (NoArrow) 6

"The Brothers Bloom" is a movie stock full of great ideas that it executes without any apparent knowledge of what makes a movie work. It's filmed in some of the most beautiful places in the world and captures them blandly. It's step-by-step full of great con-games that we don't care about. It's got one of the most interesting heroines in years that it ultimately leaves to the side, unaware of how to use her. It's constantly suggesting great artists (Melville, Dostoevsky) and it's opening act - a Ricky Jay-narrated history of the Brothers Bloom's humble beginnings - promises greatness. But the movie doesn't deliver. The story: Mark Ruffalo and Adrien Brody started conning as children, and never stopped, and now, as adults, they're locked together like the siblings in "Les Enfants Terribles," only capable of inhabiting their own world of deception and whimsy. Ruffalo's the head and likes it that way and Brody's the heart and wants out, wants to find happiness somewhere else, in the "unwritten life." Ruffalo sets up One Last Job for the two of them, and the mark is Rachel Weisz (the heroine), a reclusive millionaire and collector of hobbies. As this is a con-movie, any further explanation is unnecessary. Rian Johnson, the film's director and director of "Brick," has fine taste, as he flaunts constantly, but his movies are an argument that good taste does not a great artist make. Like the lowliest imitator, he wants to do something like his favorites, but he hasn't put much thought into why those movies worked on him. "The Big Sleep" has the period dialogue, the shadows and all that, but it's great because of the chemistry, the mood, what's happening under the surface. "Brick" has no mood, it's all surface, all words and cinematography, a truly empty film. With "The Brothers Bloom," Johnson is trying to make "The Sting" by way of Wes Anderson, the French New Wave (and a little David Mamet), but mostly misses the comedy of Anderson, the style of the New Wave and doesn't even come close to the metaphysical suspense of a Mamet film. For instance: Ruffalo has a sidekick/girlfriend played by Rinko Kikuchi. Her name is "Bang Bang" because she likes explosives, and she doesn't speak a single line of dialogue. This alone is gimmicky enough, an easy way of forging a Character without thinking for a second who she might be. The movie explains she just up and appeared to the Brothers one day, and will disappear, one day, in the same fashion. So she's an almost supernatural character, I guess, but to what purpose? Quirkiness? Kikuchi eats up the attention in any scene she's in, simply because we want to know more about her, but Johnson insults her and the audience by keeping her a prop, like the hamburger phone in "Juno." In one Emotional Montage at the end, she sings, which would be a great moment in a better movie but here is handled so off-the-cuff and casually we just sort of shrug it off. A couple short scenes later she disappears into thin air in front of Brody, so we think, that was it? And then she pops up again, to do nothing, and disappears again. Johnson doesn't seem to be thinking at all. But he might fool you. The dialogue is finely-honed, but too much so, it becomes awkward, clunky, speaking to ideas Johnson hasn't completed rather than ones the characters are having spontaneously. The movie really, really wants to be as dialogue-driven as a Mamet movie but falls short in its excess of artifice and complete lack of wit. That said, Brody, Weisz and Ruffalo create likable characters simply by appearing on screen; they're all such great actors we're almost happy enough just to watch them have some fun. Weisz especially, her eccentric is so convincing at times it makes the movie's shortchanging her so much more troubling. Her character is built up to have a mystery about her, something intriguing seems to lie beneath the surface, but as it goes on we sadly realize that's more to do with Weisz's skill and less to do with Johnson's writing. The plot keeps going and going and going, the movie feels twice as long as "The Dark Knight" and about a quarter as interesting. There's a con, and then there's another con, and then another, and they're all pretty well thought-out except that the outcomes don't mean anything to us because Johnson hasn't spent enough time figuring out who his characters are, and what we want for them. Brody is frustratingly ineffectual, and Ruffalo convinces us he knows all the answers, he just never tells us what they are. Robbie Coltrane and Maximilian Schell pop up, Schell with an eye-patch and a drama-class-level costume, and do nothing. And then there's the last revelation, and the ending, which could've been beautiful and poignant, if only Johnson had any idea how to take us there. He doesn't. His head's in the right place, he just needs to use it more, and ? most importantly ? discover his heart. Not a bad movie, just not one worth seeing. 6/10

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Reviewed by Scott-101 5

The Brothers Bloom, dir. Rian Johnson-The film had some very good elements: -The visual look was terrific. I wasn't sure if it was a period piece or it was set in the late 2000's, because there was a definite lack of cell phones and other modern day aparatuses in the frame. It was very retro, yet very much in the present -Rachel Weicz was such a fascinating character. How could a woman that beautiful and rich be so lonely? Weicz manages to pull it off. An absolutely amazing performance and kudos to her for learning all those talents (apparently she had to learn all those talents) -Some of the dialogue was exceptional. Penelope's speech about reinventing her life and refusing to see her loneliness as a weakness was definitely thought-provoking. At the same time, the film on the whole didn't make any sense. It was too many twists to the point where you just didn't care what was going on screen because none of it was real and there wasn't much suspense to convince you that the film might have been heading in any other direction. It would have always made more sense for Adrian Brody's character to just marry Penelope and inherit her fortune.

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Reviewed by laraemeadows 8

The Brothers Bloom unwinds the story of two confidence men, an Asian sidekick and their rich but isolated mark. The Brothers Bloom is a charming off kilter dramedy about love. Bloom (Adrien Brody) and his brother Stephen (Mark Ruffalo) work as confidence men with their explosive sidekick Bang Bang (Rinko Kikuchi). Tired of the life, Bloom tells his brother he's done. His brother talks him into one final con against Penelope Stamp (Rachael Weisz.) Penelope is a rich, eccentric shut-in who has yet to live. They take advantage of her loneliness in a scam meant to satisfy her need for adventure. Rian Johnson sees the world in The Brothers Bloom the way an archer fish sees bugs. The archer fish hunts bugs above the water's surface by shooting water at the bug from below the water line. When looking up from underneath everything looks like it is one place but actually is in a slightly different place because water refracts light, changing the view for the submerged. The archer fish has to see things slightly cockeyed in order to get the archery right. Rian Johnson took a slightly crooked approach to get the cinematic physics just right. Penelope Stamp is the Robin Hood of cinematic archer fish. Everything about her life, her development, and her emotions are delightfully off balance. She isn't brilliant but she had dedicated herself to learning how to do many strange and obscure things. It wasn't good enough for Rian Johnson to make Penelope interested in pinhole cameras (a camera made by putting a piece of photo paper in a light-tight container and poking a pin hole in it to expose the paper), it had to be a pin hole camera made of a watermelon. Johnson made sure Penelope is beautiful, but by casting Weisz, made her an interesting beauty. It isn't just the nature of the characters, but also how they talk. Johnson commits so fully to this strange-ified world, that dialogue that would warrant a call to the loony bin in real life, seems natural in the world created in The Brothers Bloom. The downside to making the characters fit so naturally in their world is jokes or emotions that might resonate deeply in our world sometimes fall a little flat in The Brothers Bloom. There are no gut busting jokes but occasionally the audience finds themselves chuckling. Cheeks will not be soaked in tears, but occasionally a frog may find way into the throats of the viewers. The Brothers Bloom is an endearing quirk-filled film sure to whisk the audience away on a flying crime filled love carpet.

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